Portal:India

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India, officially the Republic of India (ISO: Bhārat Gaṇarājya), is a country in South Asia. It is the seventh-largest country by area; the most populous country as of June 2023; and from the time of its independence in 1947, the world's most populous democracy. Bounded by the Indian Ocean on the south, the Arabian Sea on the southwest, and the Bay of Bengal on the southeast, it shares land borders with Pakistan to the west; China, Nepal, and Bhutan to the north; and Bangladesh and Myanmar to the east. In the Indian Ocean, India is in the vicinity of Sri Lanka and the Maldives; its Andaman and Nicobar Islands share a maritime border with Thailand, Myanmar, and Indonesia. (Full article...)

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  • Image 7 Herbert Hope Risley Sir Herbert Hope Risley KCIE CSI FRAI (4 January 1851 – 30 September 1911) was a British ethnographer and colonial administrator, a member of the Indian Civil Service who conducted extensive studies on the tribes and castes of the Bengal Presidency. He is notable for the formal application of the caste system to the entire Hindu population of British India in the 1901 census, of which he was in charge. As an exponent of scientific racism, he used anthropometric data to divide Indians into seven races. Risley was born in Buckinghamshire, England, in 1851 and attended New College, Oxford University prior to joining the Indian Civil Service (ICS). He was initially posted to Bengal, where his professional duties engaged him in statistical and ethnographic research, and he soon developed an interest in anthropology. His decision to indulge these interests curtailed his initial rapid advancement through the ranks of the Service, although he was later appointed Census Commissioner and, shortly before his death in 1911, became Permanent Secretary at the India Office in London. In the intervening years he compiled various studies of Indian communities based on ideas that are now considered to constitute scientific racism. He emphasised the value of fieldwork and anthropometric studies, in contrast to the reliance on old texts and folklore that had historically been the methodology of Indologists and which was still a significant approach in his lifetime. (Full article...)
    Black-and-white photograph of a man.
    Herbert Hope Risley

    Sir Herbert Hope Risley KCIE CSI FRAI (4 January 1851 – 30 September 1911) was a British ethnographer and colonial administrator, a member of the Indian Civil Service who conducted extensive studies on the tribes and castes of the Bengal Presidency. He is notable for the formal application of the caste system to the entire Hindu population of British India in the 1901 census, of which he was in charge. As an exponent of scientific racism, he used anthropometric data to divide Indians into seven races.

    Risley was born in Buckinghamshire, England, in 1851 and attended New College, Oxford University prior to joining the Indian Civil Service (ICS). He was initially posted to Bengal, where his professional duties engaged him in statistical and ethnographic research, and he soon developed an interest in anthropology. His decision to indulge these interests curtailed his initial rapid advancement through the ranks of the Service, although he was later appointed Census Commissioner and, shortly before his death in 1911, became Permanent Secretary at the India Office in London. In the intervening years he compiled various studies of Indian communities based on ideas that are now considered to constitute scientific racism. He emphasised the value of fieldwork and anthropometric studies, in contrast to the reliance on old texts and folklore that had historically been the methodology of Indologists and which was still a significant approach in his lifetime. (Full article...)
  • Image 8 "The Inner Light" is a song by the English rock band the Beatles, written by George Harrison. It was released on a non-album single in March 1968, as the B-side to "Lady Madonna". The song was the first Harrison composition to be issued on a Beatles single and reflects the band's embrace of Transcendental Meditation, which they were studying in India under Maharishi Mahesh Yogi at the time of the single's release. After "Love You To" and "Within You Without You", it was the last of Harrison's three songs from the Beatles era that demonstrate an overt Indian classical influence and are styled as Indian pieces. The lyrics are a rendering of chapter 47 from the Taoist Tao Te Ching, which he set to music on the recommendation of Juan Mascaró, a Sanskrit scholar who had translated the passage in his 1958 book Lamps of Fire. Harrison recorded the instrumental track for "The Inner Light" in Bombay in January 1968, during the sessions for his Wonderwall Music soundtrack album. It is the only Beatles studio recording to be made outside Europe and introduced Indian instruments such as sarod, shehnai and pakhavaj to the band's sound. The musicians on the track include Aashish Khan, Hanuman Jadev and Hariprasad Chaurasia. Aside from Harrison's lead vocal, recorded in London, the Beatles' only contribution came in the form of group backing vocals over the song's final line. In the decade following its release, the song became a comparative rarity among the band's recordings; it has subsequently appeared on compilation albums such as Rarities, Past Masters, Volume Two and Mono Masters. It is the only Beatles song to never appear on any official Beatles album. (Full article...)
    "The Inner Light" is a song by the English rock band the Beatles, written by George Harrison. It was released on a non-album single in March 1968, as the B-side to "Lady Madonna". The song was the first Harrison composition to be issued on a Beatles single and reflects the band's embrace of Transcendental Meditation, which they were studying in India under Maharishi Mahesh Yogi at the time of the single's release. After "Love You To" and "Within You Without You", it was the last of Harrison's three songs from the Beatles era that demonstrate an overt Indian classical influence and are styled as Indian pieces. The lyrics are a rendering of chapter 47 from the Taoist Tao Te Ching, which he set to music on the recommendation of Juan Mascaró, a Sanskrit scholar who had translated the passage in his 1958 book Lamps of Fire.

    Harrison recorded the instrumental track for "The Inner Light" in Bombay in January 1968, during the sessions for his Wonderwall Music soundtrack album. It is the only Beatles studio recording to be made outside Europe and introduced Indian instruments such as sarod, shehnai and pakhavaj to the band's sound. The musicians on the track include Aashish Khan, Hanuman Jadev and Hariprasad Chaurasia. Aside from Harrison's lead vocal, recorded in London, the Beatles' only contribution came in the form of group backing vocals over the song's final line. In the decade following its release, the song became a comparative rarity among the band's recordings; it has subsequently appeared on compilation albums such as Rarities, Past Masters, Volume Two and Mono Masters. It is the only Beatles song to never appear on any official Beatles album. (Full article...)
  • Image 9 Manjappada (transl. Yellow Army; Malayalam: [mɐɲːɐpːɐɖɐ] ⓘ) are an organised supporters' group of the Kochi based professional football club Kerala Blasters FC, which competes in Indian Super League, the top-tier league of Indian football. One of the largest and most active fan groups in the country, Manjappada received the Indian Sports Honours Fan Club of the Year award two times, in 2017 and 2019. Founded in 2014 as a Facebook page, Manjappada later expanded and have branches in each of Kerala's 14 districts and in 12 other Indian states; Keralites in 64 other countries are also part of the group. Manjappada is also known for having one of the largest groups of travelling fans in the country, and their presence in the stadium is often called a yellow sea as they wear as much yellow as possible during the matches of the Blasters. In the 2022–23 Indian Super League season, they displayed a 11752 sq ft tifo, which is so far the largest tifo displayed during a football match in Asia. (Full article...)
    Manjappada (transl. Yellow Army; Malayalam: [mɐɲːɐpːɐɖɐ] ) are an organised supporters' group of the Kochi based professional football club Kerala Blasters FC, which competes in Indian Super League, the top-tier league of Indian football. One of the largest and most active fan groups in the country, Manjappada received the Indian Sports Honours Fan Club of the Year award two times, in 2017 and 2019.

    Founded in 2014 as a Facebook page, Manjappada later expanded and have branches in each of Kerala's 14 districts and in 12 other Indian states; Keralites in 64 other countries are also part of the group. Manjappada is also known for having one of the largest groups of travelling fans in the country, and their presence in the stadium is often called a yellow sea as they wear as much yellow as possible during the matches of the Blasters. In the 2022–23 Indian Super League season, they displayed a 11752 sq ft tifo, which is so far the largest tifo displayed during a football match in Asia. (Full article...)
  • Image 10 Rajiv Gandhi International Airport (IATA: HYD, ICAO: VOHS) is an international airport that serves Hyderabad, the capital of the Indian state of Telangana. It is located in Shamshabad, about 24 kilometres (15 mi) south of Hyderabad and it was opened on 23 March 2008 to replace Begumpet Airport, which was the sole civilian airport serving Hyderabad. It is named after Rajiv Gandhi, former Prime Minister of India. Built over an area of 5,500 acres (2,200 ha), it is the largest airport of India by area. It is owned and operated by GMR Hyderabad International Airport Limited (GHIAL), a public–private consortium. The airport was the first airport in India to launch domestic e-boarding facility in December 2015 and international e-boarding facility in October 2020. It has also ranked in AirHelp's list of top 10 airports in the world. The fourth busiest airport in India by passengers traffic, it handled over 25 million passengers and around 150,000 tonnes (170,000 short tons) of cargo between April 2023 and March 2024. The airport is India's first greenfield airport built under a public-private partnership model. The airport has an integrated passenger terminal, a cargo terminal and two runways. There are also aviation training facilities, a fuel farm, a solar power plant and two maintenance, repair, and operations (MRO) facilities. The airport serves as a hub for Alliance Air (India), Amazon Air, Blue Dart Aviation, SpiceJet and IndiGo. It is a focus city for Air India. (Full article...)

    Rajiv Gandhi International Airport (IATA: HYD, ICAO: VOHS) is an international airport that serves Hyderabad, the capital of the Indian state of Telangana. It is located in Shamshabad, about 24 kilometres (15 mi) south of Hyderabad and it was opened on 23 March 2008 to replace Begumpet Airport, which was the sole civilian airport serving Hyderabad. It is named after Rajiv Gandhi, former Prime Minister of India. Built over an area of 5,500 acres (2,200 ha), it is the largest airport of India by area. It is owned and operated by GMR Hyderabad International Airport Limited (GHIAL), a public–private consortium. The airport was the first airport in India to launch domestic e-boarding facility in December 2015 and international e-boarding facility in October 2020. It has also ranked in AirHelp's list of top 10 airports in the world. The fourth busiest airport in India by passengers traffic, it handled over 25 million passengers and around 150,000 tonnes (170,000 short tons) of cargo between April 2023 and March 2024.

    The airport is India's first greenfield airport built under a public-private partnership model. The airport has an integrated passenger terminal, a cargo terminal and two runways. There are also aviation training facilities, a fuel farm, a solar power plant and two maintenance, repair, and operations (MRO) facilities. The airport serves as a hub for Alliance Air (India), Amazon Air, Blue Dart Aviation, SpiceJet and IndiGo. It is a focus city for Air India. (Full article...)
  • Image 11 There Comes Papa is an 1893 painting by the Indian artist Raja Ravi Varma. The painting focuses on Varma's daughter (Mahaprabha Thampuratty) and grandson (Marthanda Varma), looking towards the left at an approaching father. Evoking both Indian and European style, the painting has been noted by critics for its symbolism regarding of the Nair matrilineal practices. (Full article...)

    There Comes Papa is an 1893 painting by the Indian artist Raja Ravi Varma. The painting focuses on Varma's daughter (Mahaprabha Thampuratty) and grandson (Marthanda Varma), looking towards the left at an approaching father. Evoking both Indian and European style, the painting has been noted by critics for its symbolism regarding of the Nair matrilineal practices. (Full article...)
  • Image 12 DakshinaChitra ("a picture of the south") is a living-history museum in the Indian state of Tamil Nadu, dedicated to South Indian heritage and culture. It is located 25 kilometres (16 mi) to the south of Chennai. Opened to the public on 14 December 1996, the museum was founded and is being managed by the Madras Craft Foundation (MCF). The MCF was established in 1984. Deborah Thiagarajan, an Indian art historian of American origin, governs the museum. The museum is built on 10 acres (4.0 ha) of land taken on a 33-year lease from the Government of Tamil Nadu. Located at Muttukadu, on the East Coast Road connecting Chennai and Pondicherry, the site overlooks Bay of Bengal. Developed as a heritage village, DakshinaChitra has an array of displays and relocated originals of dwellings depicting the life pattern of people in the states of southern India. The exhibits portray the architecture, art, folk performing-arts and craft of South Indian traditions. The amenities include a research unit, crafts bazaar, playground, an area to hold religious functions, stone workshop, and souvenir kiosks. There are craftsmen who permanently work at DakshinaChitra who demonstrate or explain how they make their wares. Besides workshops are conducted regularly for various crafts by artists who rent the community studio. (Full article...)
    DakshinaChitra ("a picture of the south") is a living-history museum in the Indian state of Tamil Nadu, dedicated to South Indian heritage and culture. It is located 25 kilometres (16 mi) to the south of Chennai. Opened to the public on 14 December 1996, the museum was founded and is being managed by the Madras Craft Foundation (MCF). The MCF was established in 1984. Deborah Thiagarajan, an Indian art historian of American origin, governs the museum. The museum is built on 10 acres (4.0 ha) of land taken on a 33-year lease from the Government of Tamil Nadu. Located at Muttukadu, on the East Coast Road connecting Chennai and Pondicherry, the site overlooks Bay of Bengal.

    Developed as a heritage village, DakshinaChitra has an array of displays and relocated originals of dwellings depicting the life pattern of people in the states of southern India. The exhibits portray the architecture, art, folk performing-arts and craft of South Indian traditions. The amenities include a research unit, crafts bazaar, playground, an area to hold religious functions, stone workshop, and souvenir kiosks. There are craftsmen who permanently work at DakshinaChitra who demonstrate or explain how they make their wares. Besides workshops are conducted regularly for various crafts by artists who rent the community studio. (Full article...)
  • Image 13 Russell's viper (Daboia russelii) is a highly venomous snake in the family Viperidae native to the Indian subcontinent and one of the big four snakes in India. It was described in 1797 by George Shaw and Frederick Polydore Nodder, and named after Patrick Russell, who wrote about it in his 1796 work An account of Indian serpents, collected on the coast of Coromandel. (Full article...)

    Russell's viper (Daboia russelii) is a highly venomous snake in the family Viperidae native to the Indian subcontinent and one of the big four snakes in India. It was described in 1797 by George Shaw and Frederick Polydore Nodder, and named after Patrick Russell, who wrote about it in his 1796 work An account of Indian serpents, collected on the coast of Coromandel. (Full article...)
  • Image 14 Maine Pyar Kiya (transl. I've loved) also known by the initialism MPK is a 1989 Indian Hindi-language romantic musical film directed by Sooraj Barjatya in his directorial debut, produced by Tarachand Barjatya, co-written by S. M. Ahale with Sooraj Barjatya and distributed by Rajshri Productions. The film had Salman Khan in the leading role with Bhagyashree making her acting debut, with Alok Nath, Mohnish Bahl, Reema Lagoo, Rajeev Verma, Ajit Vachani, and Laxmikant Berde in supporting roles. Maine Pyar Kiya tells the story of two individuals and relates their journey from friendship to how they fall in love but later have to fight family differences to be together. Principal photography took place in Mumbai and various locations in Ooty. The film features a score and soundtrack composed by Raamlaxman, while Asad Bhopali wrote the lyrics. Maine Pyar Kiya considered to be one of the most iconic and loved films of the Khan and became a cult favorite from its songs, dialogues, and chemistry of the Khan and Bhagyashree. The film also established the careers of the supporting cast including Mohnish Bahl and Laxmikant Berde. (Full article...)
    Maine Pyar Kiya (transl.I've loved) also known by the initialism MPK is a 1989 Indian Hindi-language romantic musical film directed by Sooraj Barjatya in his directorial debut, produced by Tarachand Barjatya, co-written by S. M. Ahale with Sooraj Barjatya and distributed by Rajshri Productions. The film had Salman Khan in the leading role with Bhagyashree making her acting debut, with Alok Nath, Mohnish Bahl, Reema Lagoo, Rajeev Verma, Ajit Vachani, and Laxmikant Berde in supporting roles. Maine Pyar Kiya tells the story of two individuals and relates their journey from friendship to how they fall in love but later have to fight family differences to be together.

    Principal photography took place in Mumbai and various locations in Ooty. The film features a score and soundtrack composed by Raamlaxman, while Asad Bhopali wrote the lyrics. Maine Pyar Kiya considered to be one of the most iconic and loved films of the Khan and became a cult favorite from its songs, dialogues, and chemistry of the Khan and Bhagyashree. The film also established the careers of the supporting cast including Mohnish Bahl and Laxmikant Berde. (Full article...)
  • Image 15 Asanas in varied contexts. Left to right, top to bottom: Eka Pada Chakrasana; Ardha Matsyendrasana; Padmasana; Navasana; Pincha Mayurasana; Dhanurasana; Natarajasana; Vrkshasana; Yashtikasana An āsana (Sanskrit: आसन) is a body posture, originally and still a general term for a sitting meditation pose, and later extended in hatha yoga and modern yoga as exercise, to any type of position, adding reclining, standing, inverted, twisting, and balancing poses. The Yoga Sutras of Patanjali define "asana" as "[a position that] is steady and comfortable". Patanjali mentions the ability to sit for extended periods as one of the eight limbs of his system. Asanas are also called yoga poses or yoga postures in English. The 10th or 11th century Goraksha Sataka and the 15th century Hatha Yoga Pradipika identify 84 asanas; the 17th century Hatha Ratnavali provides a different list of 84 asanas, describing some of them. In the 20th century, Indian nationalism favoured physical culture in response to colonialism. In that environment, pioneers such as Yogendra, Kuvalayananda, and Krishnamacharya taught a new system of asanas (incorporating systems of exercise as well as traditional hatha yoga). Among Krishnamacharya's pupils were influential Indian yoga teachers including Pattabhi Jois, founder of Ashtanga vinyasa yoga, and B.K.S. Iyengar, founder of Iyengar yoga. Together they described hundreds more asanas, revived the popularity of yoga, and brought it to the Western world. Many more asanas have been devised since Iyengar's 1966 Light on Yoga which described some 200 asanas. Hundreds more were illustrated by Dharma Mittra. (Full article...)
    Asanas in varied contexts. Left to right, top to bottom: Eka Pada Chakrasana; Ardha Matsyendrasana; Padmasana; Navasana; Pincha Mayurasana; Dhanurasana; Natarajasana; Vrkshasana; Yashtikasana


    An āsana (Sanskrit: आसन) is a body posture, originally and still a general term for a sitting meditation pose, and later extended in hatha yoga and modern yoga as exercise, to any type of position, adding reclining, standing, inverted, twisting, and balancing poses. The Yoga Sutras of Patanjali define "asana" as "[a position that] is steady and comfortable". Patanjali mentions the ability to sit for extended periods as one of the eight limbs of his system. Asanas are also called yoga poses or yoga postures in English.

    The 10th or 11th century Goraksha Sataka and the 15th century Hatha Yoga Pradipika identify 84 asanas; the 17th century Hatha Ratnavali provides a different list of 84 asanas, describing some of them. In the 20th century, Indian nationalism favoured physical culture in response to colonialism. In that environment, pioneers such as Yogendra, Kuvalayananda, and Krishnamacharya taught a new system of asanas (incorporating systems of exercise as well as traditional hatha yoga). Among Krishnamacharya's pupils were influential Indian yoga teachers including Pattabhi Jois, founder of Ashtanga vinyasa yoga, and B.K.S. Iyengar, founder of Iyengar yoga. Together they described hundreds more asanas, revived the popularity of yoga, and brought it to the Western world. Many more asanas have been devised since Iyengar's 1966 Light on Yoga which described some 200 asanas. Hundreds more were illustrated by Dharma Mittra. (Full article...)
  • Image 16 Painting of Adi Shankara, exponent of Advaita Vedanta with his disciples by Raja Ravi Varma Adi Shankara (8th c. CE), also called Adi Shankaracharya (Sanskrit: आदि शङ्कर, आदि शङ्कराचार्य, romanized: Ādi Śaṅkara, Ādi Śaṅkarācārya, lit. 'First Shankaracharya', pronounced [aːdɪ ɕɐŋkɐraːt͡ɕaːrjɐ]), was an Indian Vedic scholar and teacher (acharya) of Advaita Vedanta. Reliable information on Shankara's actual life is scanty, and his true impact lies in his "iconic representation of Hindu religion and culture," despite the fact that most Hindus do not adhere to Advaita Vedanta. He is seen as "the one who restored the Hindu dharma against the attacks of the Buddhists (and Jains) and in the process helped to drive Buddhism out of India." Tradition also portrays him as the one who reconciled the various sects (Vaishnavism, Shaivism, and Saktism) with the introduction of the Pañcāyatana form of worship, the simultaneous worship of five deities – Ganesha, Surya, Vishnu, Shiva and Devi, arguing that all deities were but different forms of the one Brahman, the invisible Supreme Being. The historical influence of his works on Hindu intellectual thought has been questioned. Until the 10th century Shankara was overshadowed by his older contemporary Maṇḍana Miśra, and there is no mention of him in concurring Hindu, Buddhist or Jain sources until the 11th century. The popular image of Shankara started to take shape in the 14th century, centuries after his death, when Sringeri matha started to receive patronage from the kings of the Vijayanagara Empire and shifted their allegiance from Advaitic Agamic Shaivism to Brahmanical Advaita orthodoxy. Hagiographies dating from the 14th-17th centuries deified him as a ruler-renunciate, travelling on a digvijaya (conquest of the four quarters) across the Indian subcontinent to propagate his philosophy, defeating his opponents in theological debates. These hagiographies portray him as founding four mathas ("monasteries"), and Adi Shankara also came to be regarded as the organiser of the Dashanami monastic order, and the unifier of the Shanmata tradition of worship. The title of Shankaracharya, used by heads of certain monasteries in India, is derived from his name. (Full article...)

    Painting of Adi Shankara, exponent of Advaita Vedanta with his disciples by Raja Ravi Varma

    Adi Shankara (8th c. CE), also called Adi Shankaracharya (Sanskrit: आदि शङ्कर, आदि शङ्कराचार्य, romanizedĀdi Śaṅkara, Ādi Śaṅkarācārya, lit.'First Shankaracharya', pronounced [aːdɪ ɕɐŋkɐraːt͡ɕaːrjɐ]), was an Indian Vedic scholar and teacher (acharya) of Advaita Vedanta. Reliable information on Shankara's actual life is scanty, and his true impact lies in his "iconic representation of Hindu religion and culture," despite the fact that most Hindus do not adhere to Advaita Vedanta. He is seen as "the one who restored the Hindu dharma against the attacks of the Buddhists (and Jains) and in the process helped to drive Buddhism out of India." Tradition also portrays him as the one who reconciled the various sects (Vaishnavism, Shaivism, and Saktism) with the introduction of the Pañcāyatana form of worship, the simultaneous worship of five deities – Ganesha, Surya, Vishnu, Shiva and Devi, arguing that all deities were but different forms of the one Brahman, the invisible Supreme Being.

    The historical influence of his works on Hindu intellectual thought has been questioned. Until the 10th century Shankara was overshadowed by his older contemporary Maṇḍana Miśra, and there is no mention of him in concurring Hindu, Buddhist or Jain sources until the 11th century. The popular image of Shankara started to take shape in the 14th century, centuries after his death, when Sringeri matha started to receive patronage from the kings of the Vijayanagara Empire and shifted their allegiance from Advaitic Agamic Shaivism to Brahmanical Advaita orthodoxy. Hagiographies dating from the 14th-17th centuries deified him as a ruler-renunciate, travelling on a digvijaya (conquest of the four quarters) across the Indian subcontinent to propagate his philosophy, defeating his opponents in theological debates. These hagiographies portray him as founding four mathas ("monasteries"), and Adi Shankara also came to be regarded as the organiser of the Dashanami monastic order, and the unifier of the Shanmata tradition of worship. The title of Shankaracharya, used by heads of certain monasteries in India, is derived from his name. (Full article...)
  • Image 17 Illustration of Swaminarayan writing the Shikshapatri Swaminarayan (IAST: Svāmīnārāyaṇa; 3 April 1781 – 1 June 1830), also known as Sahajanand Swami, was a yogi and ascetic believed by followers to be a manifestation of Krishna or the highest manifestation of Purushottama, around whom the Swaminarayan Sampradaya developed. In 1800, he was initiated into the Uddhava sampradaya by his guru, Swami Ramanand, and was given the name Sahajanand Swami. Despite opposition, in 1802, Ramanand handed over the leadership of the Uddhava Sampradaya to him before his death. According to the Swaminarayan tradition, Sahajanand Swami became known as Swaminarayan, and the Uddhava Sampradaya became known as the Swaminarayan Sampradaya, after a gathering in which he taught the Swaminarayan Mantra to his followers. (Full article...)

    Illustration of Swaminarayan writing the Shikshapatri

    Swaminarayan (IAST: Svāmīnārāyaṇa; 3 April 1781 – 1 June 1830), also known as Sahajanand Swami, was a yogi and ascetic believed by followers to be a manifestation of Krishna or the highest manifestation of Purushottama, around whom the Swaminarayan Sampradaya developed.

    In 1800, he was initiated into the Uddhava sampradaya by his guru, Swami Ramanand, and was given the name Sahajanand Swami. Despite opposition, in 1802, Ramanand handed over the leadership of the Uddhava Sampradaya to him before his death. According to the Swaminarayan tradition, Sahajanand Swami became known as Swaminarayan, and the Uddhava Sampradaya became known as the Swaminarayan Sampradaya, after a gathering in which he taught the Swaminarayan Mantra to his followers. (Full article...)
  • Image 18 Community health worker preparing a vaccine in Odisha, India Women's health in India can be examined in terms of multiple indicators, which vary by geography, socioeconomic standing and culture. To adequately improve the health of women in India multiple dimensions of wellbeing must be analysed in relation to global health averages and also in comparison to men in India. Health is an important factor that contributes to human wellbeing and economic growth. Currently, women in India face a multitude of health problems, which ultimately affect the aggregate economy's output. Addressing the gender, class or ethnic disparities that exist in healthcare and improving the health outcomes can contribute to economic gain through the creation of quality human capital and increased levels of savings and investment. (Full article...)
    A community health worker prepares a vaccine.
    Community health worker preparing a vaccine in Odisha, India


    Women's health in India can be examined in terms of multiple indicators, which vary by geography, socioeconomic standing and culture. To adequately improve the health of women in India multiple dimensions of wellbeing must be analysed in relation to global health averages and also in comparison to men in India. Health is an important factor that contributes to human wellbeing and economic growth.

    Currently, women in India face a multitude of health problems, which ultimately affect the aggregate economy's output. Addressing the gender, class or ethnic disparities that exist in healthcare and improving the health outcomes can contribute to economic gain through the creation of quality human capital and increased levels of savings and investment. (Full article...)
  • Image 19 Publicity poster for film show at the Coronation Cinematograph and Variety Hall, Girgaon Raja Harishchandra (transl. King Harishchandra) is a 1913 Indian silent film directed and produced by Dadasaheb Phalke. It is often considered the first full-length Indian feature film. Raja Harishchandra features Dattatraya Damodar Dabke, Anna Salunke, Bhalchandra Phalke. and Gajanan Vasudev Sane. It is based on the legend of Harishchandra, with Dabke portraying the title character. The film, being silent, had English, Marathi, and Hindi-language intertitles. Phalke decided to make a feature film after watching The Life of Christ (1906) at a theatre in Bombay in April 1911. In February 1912, he went to London for two weeks to learn filmmaking techniques and upon return founded Phalke Films Company. He imported the hardware required for filmmaking and exhibition from England, France, Germany, and the United States. Phalke shot a short film Ankurachi Wadh (Growth of a Pea Plant) to attract investors for his venture. He published advertisements in various newspapers calling for the cast and crew. As no women were available to play female roles, male actors performed the female roles. Phalke was in charge of scriptment, direction, production design, make-up, film editing, along with film processing. Trymbak B. Telang handled the camera. Phalke completed filming in six months and 27 days producing a film of 3,700 feet (1,100 m), about four reels. (Full article...)

    Publicity poster for film show at the Coronation Cinematograph and Variety Hall, Girgaon

    Raja Harishchandra (transl. King Harishchandra) is a 1913 Indian silent film directed and produced by Dadasaheb Phalke. It is often considered the first full-length Indian feature film. Raja Harishchandra features Dattatraya Damodar Dabke, Anna Salunke, Bhalchandra Phalke. and Gajanan Vasudev Sane. It is based on the legend of Harishchandra, with Dabke portraying the title character. The film, being silent, had English, Marathi, and Hindi-language intertitles.

    Phalke decided to make a feature film after watching The Life of Christ (1906) at a theatre in Bombay in April 1911. In February 1912, he went to London for two weeks to learn filmmaking techniques and upon return founded Phalke Films Company. He imported the hardware required for filmmaking and exhibition from England, France, Germany, and the United States. Phalke shot a short film Ankurachi Wadh (Growth of a Pea Plant) to attract investors for his venture. He published advertisements in various newspapers calling for the cast and crew. As no women were available to play female roles, male actors performed the female roles. Phalke was in charge of scriptment, direction, production design, make-up, film editing, along with film processing. Trymbak B. Telang handled the camera. Phalke completed filming in six months and 27 days producing a film of 3,700 feet (1,100 m), about four reels. (Full article...)
  • Image 20 The skyline of Ahmedabad filled with smoke as buildings and shops are set on fire by rioting mobs. The Naroda Patiya massacre took place on 28 February 2002 at Naroda, in Ahmedabad, India, during the 2002 Gujarat riots. 97 Muslims were killed by a mob of approximately 5,000 people, organised by the Bajrang Dal, a wing of the Vishva Hindu Parishad, and allegedly supported by the Bharatiya Janata Party which was in power in the Gujarat State Government. The massacre at Naroda occurred during the bandh (strike) called by Vishwa Hindu Parishad a day after the Godhra train burning. The riot lasted over 10 hours, during which the mob plundered, stabbed, sexually assaulted, gang-raped and burnt people individually and in groups. After the conflict, a curfew was imposed in the state and Indian Army troops were called in to contain further violence. The communal violence at Naroda was deemed "the largest single case of mass murder" during the 2002 Gujarat riots; it accounted for the greatest number of deaths during a single event. Survivors faced socio-economic problems; many were left homeless, orphaned and injured. A number of shrines were destroyed and many schools were adversely affected, cancelled exams or closed entirely. The surviving victims were given shelter in relief camps provided by both the state and central government, and efforts were begun to restore destroyed properties and shrines. The state government formed a "Gujarat state commission of inquiry" for citizens to have a forum in which to make recommendations and suggest reforms. Mainstream media criticised the Gujarat government's handling of the riots; it was remarked that a number of news reports were exaggerated, and "inflammatory headlines, stories and pictures" were published, resulting in anti-Muslim prejudice among the Hindu readership. (Full article...)

    The skyline of Ahmedabad filled with smoke as buildings and shops are set on fire by rioting mobs.

    The Naroda Patiya massacre took place on 28 February 2002 at Naroda, in Ahmedabad, India, during the 2002 Gujarat riots. 97 Muslims were killed by a mob of approximately 5,000 people, organised by the Bajrang Dal, a wing of the Vishva Hindu Parishad, and allegedly supported by the Bharatiya Janata Party which was in power in the Gujarat State Government. The massacre at Naroda occurred during the bandh (strike) called by Vishwa Hindu Parishad a day after the Godhra train burning. The riot lasted over 10 hours, during which the mob plundered, stabbed, sexually assaulted, gang-raped and burnt people individually and in groups. After the conflict, a curfew was imposed in the state and Indian Army troops were called in to contain further violence.

    The communal violence at Naroda was deemed "the largest single case of mass murder" during the 2002 Gujarat riots; it accounted for the greatest number of deaths during a single event. Survivors faced socio-economic problems; many were left homeless, orphaned and injured. A number of shrines were destroyed and many schools were adversely affected, cancelled exams or closed entirely. The surviving victims were given shelter in relief camps provided by both the state and central government, and efforts were begun to restore destroyed properties and shrines. The state government formed a "Gujarat state commission of inquiry" for citizens to have a forum in which to make recommendations and suggest reforms. Mainstream media criticised the Gujarat government's handling of the riots; it was remarked that a number of news reports were exaggerated, and "inflammatory headlines, stories and pictures" were published, resulting in anti-Muslim prejudice among the Hindu readership. (Full article...)
  • Image 21 1: Nenokkadine (transl. 1: I am alone) is a 2014 Indian Telugu-language action thriller film directed by Sukumar. The film was produced by Ram Achanta, Gopichand Achanta and Anil Sunkara on 14 Reels Entertainment banner and was distributed by Eros International. The film stars Mahesh Babu and Kriti Sanon in lead roles. Nassar, Pradeep Rawat and Kelly Dorji appear in supporting roles. Mahesh Babu's son, Gautham Krishna, made his debut in the film as a younger version of the protagonist. 1: Nenokkadine revolves around the search by Gautham, a rock musician with schizophrenia, missing 25 percent of his brain's grey matter for his parents with the help of his girlfriend Sameera, a journalist. Sukumar began working on 1: Nenokkadine's script after completing 100% Love (2011), making a bus driver's tale about a boy who claimed that his parents were murdered on his bus the film's base. R. Rathnavelu was the film's director of photography, and Karthika Srinivas, its editor. Devi Sri Prasad composed the soundtrack and background score. 1: Nenokkadine was introduced on 12 February 2012, and principal photography, which began on 23 April 2012, was completed in late October 2013. It was filmed in London, Belfast, Bangkok and Indian cities including Hyderabad, Mumbai, Goa, Chennai and Bangalore. Produced on a budget of ₹60–70 crores, it was the most expensive Telugu film at the time of its release. (Full article...)
    1: Nenokkadine (transl. 1: I am alone) is a 2014 Indian Telugu-language action thriller film directed by Sukumar. The film was produced by Ram Achanta, Gopichand Achanta and Anil Sunkara on 14 Reels Entertainment banner and was distributed by Eros International. The film stars Mahesh Babu and Kriti Sanon in lead roles. Nassar, Pradeep Rawat and Kelly Dorji appear in supporting roles. Mahesh Babu's son, Gautham Krishna, made his debut in the film as a younger version of the protagonist. 1: Nenokkadine revolves around the search by Gautham, a rock musician with schizophrenia, missing 25 percent of his brain's grey matter for his parents with the help of his girlfriend Sameera, a journalist.

    Sukumar began working on 1: Nenokkadine's script after completing 100% Love (2011), making a bus driver's tale about a boy who claimed that his parents were murdered on his bus the film's base. R. Rathnavelu was the film's director of photography, and Karthika Srinivas, its editor. Devi Sri Prasad composed the soundtrack and background score. 1: Nenokkadine was introduced on 12 February 2012, and principal photography, which began on 23 April 2012, was completed in late October 2013. It was filmed in London, Belfast, Bangkok and Indian cities including Hyderabad, Mumbai, Goa, Chennai and Bangalore. Produced on a budget of 60–70 crores, it was the most expensive Telugu film at the time of its release. (Full article...)
  • Image 22 'Panoramic View of Mumbai taken from Malabar Hill' (1862), a watercolour on 5 folding pages, by Mary Ann Scott-Moncrieff Indigenous tribals have inhabited Mumbai (Bombay) since the Stone Age. The Kolis and Aagri (a Marathi-Konkani people) were the earliest known settlers of the islands. Between the 2nd century BCE and 10th century CE, the islands came under the control of successive indigenous dynasties: the Satavahanas, Abhiras, Vakatakas, Kalachuris, Konkan Mauryas, Chalukyas, Rashtrakutas, Silharas & Chollas. Bhima of Mahikavati established a small kingdom in the area during the late 13th century, and brought settlers. The Delhi Sultanate captured the islands in 1348, and they were later passed to the Sultanate of Guzerat from 1391. The Treaty of Bassein (1534) between the Portuguese viceroy Nuno da Cunha and Bahadur Shah of Gujarat, placed the islands into Portuguese possession in 1534. (Full article...)
    'Panoramic View of Mumbai taken from Malabar Hill' (1862), a watercolour on 5 folding pages, by Mary Ann Scott-Moncrieff

    Indigenous tribals have inhabited Mumbai (Bombay) since the Stone Age. The Kolis and Aagri (a Marathi-Konkani people) were the earliest known settlers of the islands. Between the 2nd century BCE and 10th century CE, the islands came under the control of successive indigenous dynasties: the Satavahanas, Abhiras, Vakatakas, Kalachuris, Konkan Mauryas, Chalukyas, Rashtrakutas, Silharas & Chollas.

    Bhima of Mahikavati established a small kingdom in the area during the late 13th century, and brought settlers. The Delhi Sultanate captured the islands in 1348, and they were later passed to the Sultanate of Guzerat from 1391. The Treaty of Bassein (1534) between the Portuguese viceroy Nuno da Cunha and Bahadur Shah of Gujarat, placed the islands into Portuguese possession in 1534. (Full article...)
  • Image 23 Govindudu Andarivadele (transl. The lord is a people's man), also known by the acronym GAV, is a 2014 Indian Telugu-language action drama film written and directed by Krishna Vamsi. Produced by Bandla Ganesh for Parameswara Art Productions, the film stars Ram Charan Konidela and Srikanth, Prakash Raj, Kajal Aggarwal, Kamalinee Mukherjee, Jayasudha, Rahman and Adarsh Balakrishna play supporting roles. Yuvan Shankar Raja composed the film's soundtrack and score while Sameer Reddy worked as the cinematographer, and Naveen Nooli was the film's editor. The film is partially inspired by the 1991 Telugu film Seetharamayya Gari Manavaralu directed by Kranthi Kumar. Govindudu Andarivadele portrays a "non-resident Indian" named Abhiram who visits his grandfather Balaraju's house as a student of agriculture. He actually came to reconcile the differences between his father, Chandrasekhar Rao, and Balaraju. The pair parted ways as Chadrasekhar went to the UK while Balaraju stayed and built a charitable hospital for local people. Abhiram succeeds in winning over family members, and Balaraju understands the truth behind Abhiram and his attempts. (Full article...)
    Govindudu Andarivadele (transl. The lord is a people's man), also known by the acronym GAV, is a 2014 Indian Telugu-language action drama film written and directed by Krishna Vamsi. Produced by Bandla Ganesh for Parameswara Art Productions, the film stars Ram Charan Konidela and Srikanth, Prakash Raj, Kajal Aggarwal, Kamalinee Mukherjee, Jayasudha, Rahman and Adarsh Balakrishna play supporting roles. Yuvan Shankar Raja composed the film's soundtrack and score while Sameer Reddy worked as the cinematographer, and Naveen Nooli was the film's editor.

    The film is partially inspired by the 1991 Telugu film Seetharamayya Gari Manavaralu directed by Kranthi Kumar. Govindudu Andarivadele portrays a "non-resident Indian" named Abhiram who visits his grandfather Balaraju's house as a student of agriculture. He actually came to reconcile the differences between his father, Chandrasekhar Rao, and Balaraju. The pair parted ways as Chadrasekhar went to the UK while Balaraju stayed and built a charitable hospital for local people. Abhiram succeeds in winning over family members, and Balaraju understands the truth behind Abhiram and his attempts. (Full article...)
  • Image 24 Kaksparsh is a 2012 Indian Marathi period drama film directed by Mahesh Manjrekar and produced by Aniruddha Deshpande and Medha Manjrekar. The film stars Sachin Khedekar, Priya Bapat, Medha Manjrekar, Savita Malpekar and Ketaki Mategaonkar. Based on a short story by Usha Datar by the same name, the film depicts the tumultuous events in a Chitpavan Brahmin family, set around 1930–1950 in Konkan. The film was a commercial success and got critical acclaim for its direction, screenplay by Girish Joshi and also for the performances by its actors, especially Khedekar for his portrayal of Hari Damle as a head of the family. In 1989, the short story was adapted into a Marathi play Janmagaath with actor-director Vinay Apte playing the lead. Apte had desires to make a film based on it. However, his attempts were not successful. Sachin Khedekar, who went to play the lead in the cinematic adaptation of the story, had seen the play and came across the story again in 2007. Khedekar requested Girish Joshi to complete the adapted screenplay and together approached Manjrekar in 2009 to make a film on the story. Kaksparsh's shooting was completed in 26 days – from 5 to 30 December 2011 and was released on 4 May 2012, on the occasion of centenary of Indian Cinema. (Full article...)
    Kaksparsh is a 2012 Indian Marathi period drama film directed by Mahesh Manjrekar and produced by Aniruddha Deshpande and Medha Manjrekar. The film stars Sachin Khedekar, Priya Bapat, Medha Manjrekar, Savita Malpekar and Ketaki Mategaonkar. Based on a short story by Usha Datar by the same name, the film depicts the tumultuous events in a Chitpavan Brahmin family, set around 1930–1950 in Konkan. The film was a commercial success and got critical acclaim for its direction, screenplay by Girish Joshi and also for the performances by its actors, especially Khedekar for his portrayal of Hari Damle as a head of the family.

    In 1989, the short story was adapted into a Marathi play Janmagaath with actor-director Vinay Apte playing the lead. Apte had desires to make a film based on it. However, his attempts were not successful. Sachin Khedekar, who went to play the lead in the cinematic adaptation of the story, had seen the play and came across the story again in 2007. Khedekar requested Girish Joshi to complete the adapted screenplay and together approached Manjrekar in 2009 to make a film on the story. Kaksparsh's shooting was completed in 26 days – from 5 to 30 December 2011 and was released on 4 May 2012, on the occasion of centenary of Indian Cinema. (Full article...)
  • Image 25 Rao in 2020 Amrita Rao is an Indian actress who primarily works in Hindi films. Known for her "quintessential girl-next-door" portrayals, Rao is the recipient of several accolades including a IIFA Award and two Stardust Awards, along with nominations for two Filmfare Awards. Rao made her acting debut with Ab Ke Baras (2002), which earned her a nomination for Filmfare Award for Best Female Debut. Rao won the IIFA Award for Star Debut of the Year – Female, for her portrayal of a college student in the romantic drama Ishq Vishk (2003), her first commercial success. She received praise in the commercially successful films - the masala film Main Hoon Na (2004), the romance Vivah (2006), the comedy thriller Masti (2004) and the comedy Welcome to Sajjanpur (2008), winning the Stardust Award for Best Actress for her performance in the lattermost. (Full article...)

    Rao in 2020

    Amrita Rao is an Indian actress who primarily works in Hindi films. Known for her "quintessential girl-next-door" portrayals, Rao is the recipient of several accolades including a IIFA Award and two Stardust Awards, along with nominations for two Filmfare Awards.

    Rao made her acting debut with Ab Ke Baras (2002), which earned her a nomination for Filmfare Award for Best Female Debut. Rao won the IIFA Award for Star Debut of the Year – Female, for her portrayal of a college student in the romantic drama Ishq Vishk (2003), her first commercial success. She received praise in the commercially successful films - the masala film Main Hoon Na (2004), the romance Vivah (2006), the comedy thriller Masti (2004) and the comedy Welcome to Sajjanpur (2008), winning the Stardust Award for Best Actress for her performance in the lattermost. (Full article...)
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    1 May 2024 –
    At least nine people are killed in an ongoing heatwave in eastern India. (Reuters)
    29 April 2024 –
    Two people die in a heatwave in Kerala, India. (The Straits Times)
    19 April 2024 – 2024 Indian general election
    Indians begin voting to elect members to the 18th Lok Sabha. There are 969 million people eligible to vote, and voting will continue until June in seven phases. (AP)
    16 April 2024 – Naxalite–Maoist insurgency
    Indian security forces kill at least 29 Maoist insurgents in a major counterinsurgency operation in Kanker district, Chhattisgarh. A large quantity of weapons are also seized. (NDTV)
    28 March 2024 – 2023–24 South-West Indian Ocean cyclone season
    Cyclone Gamane makes landfall in Madagascar, killing at least eleven people and causing widespread flooding, according to local officials. (AP)

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